Vine Charcoal on Newsprint and Bond.
Cool thing about this charcoal is the tonal range you can get by manipulating the marks.
It does not stick to the newsprint very well so I tried conté and then changed paper on the profile.
Charcoal is very dynamic but hard to control. This is soft 7/16 willow and highlighted with kneaded eraser.
11×14″Oil on Canvas 2Hr Figure Sketch.
The last few weeks at the Tuesday Art League I have been trying to paint oil portraits in 2 hours. That is an intense experience. I ran into a colleague on the street who said he was also at last weeks class. I was so busy, desperately trying to make the painting work that I didn’t even remember him, or say hello. In fact, I did not say hello to anyone or look at anyone else’s work.
Last night I just brought my charcoal and pad and I finished this sketch early and went around to share some coffee and a few jokes with my fellow artists.
Remember Rule #62.
Some tonal studies grouped together.
Practice and humility are essential for my development in art and life.
Not because I am “not good enough”. Not because “I am better than”.
Both of these states are comparative and self-defeating. I am just an artist among artists.
I went to my regular figure drawing workshop yesterday and found out that a colleague was teaching a beginning figure drawing class right after the workshop. I have never had any instruction in drawing before and it never occurred to me that I needed any. He was gracious enough to allow me to sit in on his class and I learned much in his approach.
14×17″ Charcoal from last night at the Art League
Very similar stages of completion but after a nights sleep and about 15 more minutes of work, the one on the right looks far better.
The one on the left is how I stopped with the model last night at 8pm.
I thought it was finished but when I looked this am with fresh eyes I saw some issues I needed to address.
12×14-Pastel on Srath 400, 1.5hrs
The ipad is a good tool for getting your 8 year old daughter to sit still for a portrait.