2 Hours. Oil on plastic coated canvas. Zorn pallete.
Someone at the workshop asked me why I used a Zorn pallete, which is a limited pallete mixed from Zinc white, yellow ochre, alizarine Crimson and Lamp black. Its because oil painting is like a 3 ring circus. It’s a lot of technical stuff to manage while still trying to capture a likeness.
It’s like trying to tie your shoes while you are in a 100 yard dash.
The model and 4 successive stages at 20min intervals. 2 hours. Zorn Pallette
Another 20 min paint sketch which I worked back into the next day using the same Zorn Pallet.
Instead of waiting for the “big commission”, I am going to try selling these drawings.
On archival paper. Sizes vary between 12″-17″ on the longest edge.
I’ll be selling on Ebay and Fine Art America here. Let me know if you are interested.
Sale helps cover the cost of my expenses, materials, studio space and equipment.
Thank you for your support.
Practice and humility are essential for my development in art and life.
Not because I am “not good enough”. Not because “I am better than”.
Both of these states are comparative and self-defeating. I am just an artist among artists.
I went to my regular figure drawing workshop yesterday and found out that a colleague was teaching a beginning figure drawing class right after the workshop. I have never had any instruction in drawing before and it never occurred to me that I needed any. He was gracious enough to allow me to sit in on his class and I learned much in his approach.
14×17″ Charcoal from last night at the Art League
Very similar stages of completion but after a nights sleep and about 15 more minutes of work, the one on the right looks far better.
The one on the left is how I stopped with the model last night at 8pm.
I thought it was finished but when I looked this am with fresh eyes I saw some issues I needed to address.
- Jaw too low where it meets the chin, decrease the jowl and strengthen jaw line
- Too much highlight on cheek and forehead. Shade and tighten up/define highlights
- Eye too dark. Highlight and define.
- Separate head outline from background and darken head shadow on shoulder to make the head “pop out”.
Vine charcoal and conte B on newsprint from the church of naked ladies.
Drawing slowly and deliberately massing values. 25 min each.
12×14-Pastel on Srath 400, 1.5hrs
The ipad is a good tool for getting your 8 year old daughter to sit still for a portrait.
18×24″ Pastel on newsprint. I’d prefer to be painting but anything which helps me make decisions with color is adding up towards my goals.
My problem with pastels has been to think of it as drawing instead of as painting.