No matter what.

Felt like the flu this weekend but you got to paint , no matter what.

From Right to Left:

25min Oil on canvas. Burnt Umber on Toned BU ground.

25min Burnt Umber, White, Ochre On BU ground.

50min Full Zorn pallet on BU ground.

Just trying to learn to draw with a long hairy stick.

3 ring circus

11-2-16-1

2 Hours. Oil on plastic coated canvas. Zorn pallete.

Someone at the workshop asked me why I used a Zorn pallete, which is a limited pallete mixed from Zinc white, yellow ochre, alizarine Crimson and Lamp black. Its because oil painting is like a 3 ring circus. It’s a lot of technical stuff to manage while still trying to capture a likeness.

It’s like trying to tie your shoes while you are in a 100 yard dash.

Charcoal Portrait Stages

14×17″ Charcoal from last night at the Art League

Very similar stages of completion but after a nights sleep and about 15 more minutes of work, the one on the right looks far better.

The one on the left is how I stopped with the model last night at 8pm.

I thought it was finished but when I looked this am with fresh eyes I saw some issues I needed to address.

  • Jaw too low where it meets the chin, decrease the jowl and strengthen jaw line
  • Too much highlight on cheek and forehead. Shade and tighten up/define highlights
  • Eye too dark. Highlight and define.
  • Separate head outline from background and darken head shadow on shoulder to make the head “pop out”.