Greetings…

9-25-16-erin-1

…from the church of the Naked.

One of my favorite things is to a attend a live model workshop with other artists on Sunday afternoon. I have been doing it regularly since 1994.

This painting study is from Sunday. 9×12 oil on canvass board using a Zorn color palette I premixed for use in a self-portrait the day before. (no pun intended).

More on the Zorn palette in the next post.

9-11 Draw

9-11

I can sometimes get drawn into the controversy, the election, the agenda, the media, the hoopla, the spectacle, the problems of the world. These are not my problems. I did not create them nor am I very likely to solve them merely with my opinion.

I need to shut out the noise and do my work.

Our Collective Soul

8-21-16 Model - copy

Charcoal Study on Newsprint 18X24″. Probably spent more time on the eyes than anything else. I am taking this time to get back to the elemental of art without concern of remuneration. Hopefully the work will be more than academic and reflect something of my old soul. Our collective soul.

paint over pastels

Draw 12-22-2013 2

 

What I am shooting for is a look like the figure is emerging from shadow, as if emerging from tannic swamp water.  No meaning just academic figure work rising from the depth.

This latest test is from a Sunday session with Rembrandt chalk pastels and conte black on toned Canson paper. Then in photoshop painting an oily wet brushy over the highlights and then burn tool the shadows about 70% opacity. I’m pretty happy with the results. I want to get a system going with real paint soon.

Blockhead

11-17-2013Erin-headszd

The construction of a head or body begins with basic block build-up, then establishment a combination of enclosed shapes within those blocks as planes of light and planes of shadow. Then I find the edge of the shapes but I don’t feel the necessity to refine or even stay within these edges. I just need to know where they are.

Nothing more. I don’t try to draw an eye or a nose.